Showing posts with label coal region. Show all posts
Showing posts with label coal region. Show all posts

Sunday, February 12, 2012

Warm Memories on a Cold Winter Day

We are finally having a touch of winter in Pennsylvania. There is not much snow to speak of, but the temperature and wind chill are certainly winterlike.
So, after 90 minutes of kick-butt cardio and some heavy lifting at the gym, some house cleaning and a little walk with the dogs, I hunkered down to go through old photographs. I do a sorting, of sorts, every so often, to determine what will stay in my  hard drives and what gets moved to the never to be seen again files.
I found some old shots that I really love and have done nothing with, so far. I thought I would share some wintery scenes with you.  The black and white photographs were made six years ago in the Shenandoah Heights area of the hard coal region, where I was born and raised.
Woodland Winter Walk by Christine Goldbeck
Woodland Winter Walk
When I found them, I decided my Holga and I were going to be re-acquainted for some photo fun. The Holga is a cheap, plastic camera with an equally cheap plastic lens. Cheap, plastic, hmm… So, how can you make art with something like THAT?  Oh, with your eyes, of course. It’s about “seeing.”
Beyond this, though, one who works with a Holga control has little control over the final outcome. The camera leaks light, vignettes, falls open. Whatever! I’ve made some of my most salable and award-winning prints with this a Holga. And, digital geek that I am, I still love using it.
Bedazzle by Christine Goldbeck
Bedazzle
I invested in a Diana (a Holga by another name, really) lens for my digital camera. It works okay, but a Holga it is not. I’d rather spend the pennies for some black-and-white 120 film and borrow Jay’s electrical tape (to hold my Holga closed and prevent some light leaks) than put the newfangled Diana lens on my digital Canon.
Bedazzle is a photograph also made in my film days. I remember the day I made it. I was in Shenandoah Heights, slipping, siding and laughing my way through a morning of fun with the pups and my cameras.
This final scene was made two years ago this weekend. You remember THAT winter, right? We had two blizzards in two weeks. Besides having great times outdoors with Mother Nature and my cameras, what I remember most about that winter is that I ate a lot of whole wheat pancakes with zero guilt. I figured all the snow-shoeing and shoveling would allow me to splurge on those additional calories. Because, come on, a cold morning, you just don’t eat one pancake. You eat a plateful with a quarter pound of butter and half a gallon of real Pennsylvania maple syrup or Pennsylvania  honey – or both.
Stay warm. Me? I think I’m praying for another blizzard.
It's Snowing by Christine Goldbeck
It's Snowing by Christine Goldbeck




Monday, August 10, 2009

When I Clean the Studio, I find ...

Preparing to take my art to Mt. Gretna this weekend, I am also cleaning up the studio. This means that I am finding all sorts of good infobits about which I intended to blog or which I intended to put in my notebooks. (Let's not talk about intentions today, eh?)

One of these infobits is a Watercolor Artist Magazine article about the late George Luks, a native coalcracker who painted the working men and women of Pennsylvania's anthracite coal fields. I've always been a fan of his, not because I paint the same theme but because I spent years photographing the coal region. So, I studied Luks' use of composition and value, which are terms used in all art media. I often return to look at his work, and to paintings by others in the Ashcan School. It was not about beauty, you see. It was about using art to capture real-life moments in time and real life for low-income, working class people and their communities.

Please do take a minute to look at some of Luks' work.

As for me, I return to cleaning up the studio and reviewing my old intentions.